McLaren

Designing the McLaren 750S Spider Configurator

McLaren

UI Design Across Devices for an Iconic Automotive Brand

McLaren

UI Design Across Devices for an Iconic Automotive Brand

  • Website
  • Mobile App
  • Design System
  • Product Workshop
  • Admin Dashboard
  • Web App
  • Website
  • Mobile App
  • Design System
  • Product Workshop
  • Admin Dashboard
  • Web App
  • Website
  • Mobile App
  • Design System
  • Product Workshop
  • Admin Dashboard
  • Web App

MY ROLE

UI Designer


TOOL USED

Figma

Zeplin

After Effects (for UI showcase),

Photoshop

TEAM

Product Manager

Developers (iOS and Android)

Web Developers

3D Artist

TIMELINE

3 Months

MY ROLE

UI Designer


TOOL USED

Figma

Zeplin

After Effects (for UI showcase),

Photoshop

TEAM

Product Manager

Developers
(iOS and Android)

Web Developers

TIMELINE

3 Months

MY ROLE

UI Designer


TOOL USED

Figma

Zeplin

After Effects (for UI showcase),

Photoshop

TEAM

Product Manager

Developers (iOS and Android)

Web Developers

3D Artist

TIMELINE

3 Months

THE WHAT

The McLaren Configurator is a highly visual and interactive tool for customizing McLaren’s luxury vehicles. I contributed as a UI Designer for the 750S Spider variant—where users could personalize every aspect of the car, from color and wheels to interior and trim.

This was more than a visual project. It was about translating the emotion of driving a McLaren into a sleek, seamless multi-screen digital experience.

THE WHAT

The McLaren Configurator is a highly visual and interactive tool for customizing McLaren’s luxury vehicles. I contributed as a UI Designer for the 750S Spider variant—where users could personalize every aspect of the car, from color and wheels to interior and trim.

This was more than a visual project. It was about translating the emotion of driving a McLaren into a sleek, seamless multi-screen digital experience.

THE WHAT

The McLaren Configurator is a highly visual and interactive tool for customizing McLaren’s luxury vehicles. I contributed as a UI Designer for the 750S Spider variant—where users could personalize every aspect of the car, from color and wheels to interior and trim.

This was more than a visual project. It was about translating the emotion of driving a McLaren into a sleek, seamless multi-screen digital experience.

THE WHY

High-performance cars deserve high-performance interfaces. The goal was to elevate the configurator experience to feel intuitive, immersive, and deeply premium—on every screen a customer might use.

McLaren’s buyers are tech-savvy, design-conscious, and emotionally invested in their purchase decisions. The interface had to reflect that luxury and exclusivity while remaining smooth and responsive across tablets, laptops, and smartphones.

THE WHY

High-performance cars deserve high-performance interfaces. The goal was to elevate the configurator experience to feel intuitive, immersive, and deeply premium—on every screen a customer might use.

McLaren’s buyers are tech-savvy, design-conscious, and emotionally invested in their purchase decisions. The interface had to reflect that luxury and exclusivity while remaining smooth and responsive across tablets, laptops, and smartphones.

THE WHY

High-performance cars deserve high-performance interfaces. The goal was to elevate the configurator experience to feel intuitive, immersive, and deeply premium—on every screen a customer might use.

McLaren’s buyers are tech-savvy, design-conscious, and emotionally invested in their purchase decisions. The interface had to reflect that luxury and exclusivity while remaining smooth and responsive across tablets, laptops, and smartphones.

THE HOW

I worked closely with a cross-functional team including art directors, 3D artists, and developers at HMX Media. My role focused specifically on building and refining the interface components for:

  • Color selection

  • Trim exploration

  • Real-time wheel previews

  • Summary interaction flows

We focused on modular UI systems that could scale across devices and localized versions, while preserving the brand's elegant black-orange-white theme.

THE HOW

I worked closely with a cross-functional team including art directors, 3D artists, and developers at HMX Media. My role focused specifically on building and refining the interface components for:

  • Color selection

  • Trim exploration

  • Real-time wheel previews

  • Summary interaction flows

We focused on modular UI systems that could scale across devices and localized versions, while preserving the brand's elegant black-orange-white theme.

THE HOW

I worked closely with a cross-functional team including art directors, 3D artists, and developers at HMX Media. My role focused specifically on building and refining the interface components for:

  • Color selection

  • Trim exploration

  • Real-time wheel previews

  • Summary interaction flows

We focused on modular UI systems that could scale across devices and localized versions, while preserving the brand's elegant black-orange-white theme.

RESEARCH METHODS

We began with internal interviews with McLaren’s marketing and sales teams to understand common customer expectations and decision journeys.

I audited competing luxury car configurators from brands like Porsche, Ferrari, and Tesla to spot trends and gaps. This shaped our hierarchy and visual direction.

RESEARCH METHODS

We began with internal interviews with McLaren’s marketing and sales teams to understand common customer expectations and decision journeys.

I audited competing luxury car configurators from brands like Porsche, Ferrari, and Tesla to spot trends and gaps. This shaped our hierarchy and visual direction.

RESEARCH METHODS

We began with internal interviews with McLaren’s marketing and sales teams to understand common customer expectations and decision journeys.

I audited competing luxury car configurators from brands like Porsche, Ferrari, and Tesla to spot trends and gaps. This shaped our hierarchy and visual direction.

INTERVIEW INSIGHTS

Most users spend 5–15 minutes exploring exterior colors.

  • Mobile usage spikes in showrooms—especially among younger buyers.

  • Tablet was the preferred mode for sales staff during customer walk-throughs.

INTERVIEW INSIGHTS

Most users spend 5–15 minutes exploring exterior colors.

  • Mobile usage spikes in showrooms—especially among younger buyers.

  • Tablet was the preferred mode for sales staff during customer walk-throughs.

INTERVIEW INSIGHTS

Most users spend 5–15 minutes exploring exterior colors.

  • Mobile usage spikes in showrooms—especially among younger buyers.

  • Tablet was the preferred mode for sales staff during customer walk-throughs.

KEY MOTIVATORS

  • Clean UI that didn’t interfere with the car’s visuals.

  • Clearly labeled option categories (Exterior, Interior, Wheels, Summary).

  • Fast, seamless transitions between selections with loading feedback.

  • Easy export or “Save and Share” functions for users to revisit builds later.

KEY MOTIVATORS

  • Clean UI that didn’t interfere with the car’s visuals.

  • Clearly labeled option categories (Exterior, Interior, Wheels, Summary).

  • Fast, seamless transitions between selections with loading feedback.

  • Easy export or “Save and Share” functions for users to revisit builds later.

KEY MOTIVATORS

  • Clean UI that didn’t interfere with the car’s visuals.

  • Clearly labeled option categories (Exterior, Interior, Wheels, Summary).

  • Fast, seamless transitions between selections with loading feedback.

  • Easy export or “Save and Share” functions for users to revisit builds later.

THE DESIGN

We embraced dark mode UI to elevate the car's presence. Interactive highlights and accent colors changed depending on the user’s selection (e.g., orange glow for McLaren Orange).

Animations were subtle and purposeful. I designed tabbed sections that could adapt to both horizontal and vertical layouts depending on screen size.

The font hierarchy used bold sans-serif type to feel futuristic yet readable. Icons and sliders were customized from scratch, avoiding generic libraries to maintain premium aesthetics.

THE DESIGN

We embraced dark mode UI to elevate the car's presence. Interactive highlights and accent colors changed depending on the user’s selection (e.g., orange glow for McLaren Orange).

Animations were subtle and purposeful. I designed tabbed sections that could adapt to both horizontal and vertical layouts depending on screen size.

The font hierarchy used bold sans-serif type to feel futuristic yet readable. Icons and sliders were customized from scratch, avoiding generic libraries to maintain premium aesthetics.

THE DESIGN

We embraced dark mode UI to elevate the car's presence. Interactive highlights and accent colors changed depending on the user’s selection (e.g., orange glow for McLaren Orange).

Animations were subtle and purposeful. I designed tabbed sections that could adapt to both horizontal and vertical layouts depending on screen size.

The font hierarchy used bold sans-serif type to feel futuristic yet readable. Icons and sliders were customized from scratch, avoiding generic libraries to maintain premium aesthetics.

Every elements made with love

Every elements made with love

THE RESULT & LEARNING

This was a high-stakes design opportunity for a luxury automotive icon—and a huge learning experience in designing for multi-screen environments and 3D-heavy interfaces.

What I Learned:

  • Consistency across breakpoints is harder than it looks. You have to plan mobile-first, but refine desktop for storytelling impact.

  • Working alongside 3D artists taught me how to sync design layers with render timings and maintain visual integrity.

  • Creating interfaces for a luxury brand requires constant restraint—not over-designing, but letting the product shine.


    | “Designing the McLaren 750S Spider Configurator was a lesson in high-performance simplicity—every pixel mattered.”

    — Bhavesh, UI Designer


THE RESULT & LEARNING

This was a high-stakes design opportunity for a luxury automotive icon—and a huge learning experience in designing for multi-screen environments and 3D-heavy interfaces.

What I Learned:

  • Consistency across breakpoints is harder than it looks. You have to plan mobile-first, but refine desktop for storytelling impact.

  • Working alongside 3D artists taught me how to sync design layers with render timings and maintain visual integrity.

  • Creating interfaces for a luxury brand requires constant restraint—not over-designing, but letting the product shine.


    | “Designing the McLaren 750S Spider Configurator was a lesson in high-performance simplicity—every pixel mattered.”

    — Bhavesh, UI Designer


THE RESULT & LEARNING

This was a high-stakes design opportunity for a luxury automotive icon—and a huge learning experience in designing for multi-screen environments and 3D-heavy interfaces.

What I Learned:

  • Consistency across breakpoints is harder than it looks. You have to plan mobile-first, but refine desktop for storytelling impact.

  • Working alongside 3D artists taught me how to sync design layers with render timings and maintain visual integrity.

  • Creating interfaces for a luxury brand requires constant restraint—not over-designing, but letting the product shine.


    | “Designing the McLaren 750S Spider Configurator was a lesson in high-performance simplicity—every pixel mattered.”

    — Bhavesh, UI Designer


Available for work

Curious about what we can create together? Let’s bring something extraordinary to life!

Sewatkarbhavesh@gmail.com

Design In Framer

All rights reserved, ©2025

Available for work

Curious about what we can create together? Let’s bring something extraordinary to life!

Sewatkarbhavesh@gmail.com

Design In Framer

All rights reserved, ©2025

Available for work

Curious about what we can create together? Let’s bring something extraordinary to life!

Sewatkarbhavesh@gmail.com

Design In Framer

All rights reserved, ©2025

Create a free website with Framer, the website builder loved by startups, designers and agencies.